HARROWER SUMMER OPERA
About the Workshop
Each summer Harrower Summer Opera (HSO) produces two fully staged main stage opera productions with its Young Artist participants, with principal roles double cast to present four performances before live audiences.
While at Harrower Summer Opera, members of the program will learn alongside the Artist-In-Residence – a renowned operatic guest performer and teacher who presents recitals, conducts master classes and instructs participants on success in the opera art and industry.
As members of the workshop, Young Artists engage in daily Stage-Movement and Stage-Skills sessions, led by acclaimed artist-faculty. Each year, HSO highlights a new Special-Topic Seminar – introducing a performance skill such as Stage Combat or Make-up for the Stage.
Summer 2025 marks an exciting return of Harrower Summer Opera with Artistic Director and Principal Stage Director Andrew Ryker, Professor of Voice at the Georgia State University School of Music, and Music Director Maestro Rolando Salazar of The Atlanta Opera. Joining us this summer as our Artist-In-Residence is international opera singer Jennifer Rowley!
2025 SEASON
Falstaff
The Crucible

ARTIST FACULTY

American baritone Andrew Ryker is an award-winning voice teacher, musician, and nationally recognized stage director. Recent voice and opera students perform on stages all over the country, from the Met to San Francisco Opera. Ryker has had nine award winners in Metropolitan Opera competitions, over 50 winners at NATS, and young artist placements at Santa Fe Opera, Sarasota, Merola, Des Moines Metro, Minnesota, Utah Festival, St. Louis, the Spoleto Festival, and more. Recent Musical Theatre alumni are on Broadway national tours (Anastasia, Come from Away, Hairspray), in off-Broadway shows (The Office, Friends, Stranger Sings), on cruise ships (Beetlejuice, Cats, Jersey Boys, Kinky Boots), at Disney (Aladdin, Beauty & the Beast, Frozen), and featured on several original cast albums.
Ryker has served as Director of Opera at both Ohio University and Capital University and staged more than 40 productions for companies like Opéra Louisiane, Des Moines Metro, Opera North, Boston Opera Collaborative, Intermezzo, FIO Italia, Opera New Jersey, MetroWest Opera, and more. He and spent seven years at Des Moines Metro Opera, directing for their summer festival, educational outreach tours, and nationally recognized apprentice artist program. Prior to his time in Des Moines, Andrew was Artistic Director of Boston Opera Collaborative and served on the directing staff at the New England Conservatory. Awards have included an Elliot Norton Award, a Cloris Award, a Cincinnati SongSlam Award, a Goldowsky Directing Fellowship, and his production of Britten’s Curlew River was named Boston’s “Best Staged Opera of the Year” by The Boston Phoenix.
Ryker has a diverse background onstage. Operatic roles included Papageno, Don Alfonso, the Count, Silvio, Belcore, Marco, St. Brioche, Strephon, John Brooke, and the lead role in the US premiere of Dvorak’s Kral a Uhlir. Oratorio credits include Bach’s Johannes Passion, Durufle’s Requiem, Faure’s Requiem, and Handel’s Messiah and he’s been heard with the Chicago Symphony Orchestra, the Boston Pops, College Light Opera Company, La Musica Lirica, Trinity Church, and more. Recent highlights include the lead role in Parade with StageWest, a solo cabaret at Noce jazz club, Messiah at the Church of the Good Shepherd, and the title role in I am Harvey Milk with The Des Moines Gay Men’s Chorus. Andrew has sung in master classes with Warren Jones, Pierre Vallet, Vinson Cole, and Alan Held and is an alumnus of Millikin University, where he studied with Kathryn Hartgrove. He received his master’s in Vocal Performance from the New England Conservatory where he graduated with Academic Honors and was a student of William Cotten and John Moriarty.

Prior to the Covid-19 Pandemic, Rolando Salazar served as the Associate Conductor/Chorus Master for his home company, The Atlanta Opera, having previously served for several years as Assistant Chorus Master under longtime Chorus Master Walter Huff. While serving as Chorus Master he worked alongside conductors Arthur Fagen, Joseph Colaneri, Joseph Rescigno, Ari Pelto, Joseph Mechavich, David Charles Abell, Dean Williamson, and others.
During this last year Rolando was featured in Love Letters to Atlanta, performing alongside singers Morris Robinson, Jamie Barton, and Kevin Burdette. He also was featured in the digital version of Madison Opera’s Opera in the Park, as well as in an all-Mozart recital with soprano Jasmine Habersham. Other performances included appearances with Cincinnati Song Initiative, MUS/IQUE In a Minute!, as well as returning to the podium to conduct performances of Pagliacci for the Atlanta Opera’s Molly Blank Big Tent Series, and one of the only covid-safe performances of Handel’s Messiah with the Atlanta Concert Opera, an online broadcast viewed all over the world.
Rolando’s previous performances include appearances on the podium with the Rome (GA) Symphony Orchestra, The Atlanta Ballet, Johns Creek Symphony Orchestra, the Ozark Family Opera, the Permian Basin Opera, Georgia State University Orchestra, collaborative work with Atlanta Symphony Orchestra, as well as serving as the Assistant Conductor and festival pianist at the Bellingham Festival of Music.

American soprano, Jennifer Rowley, is acclaimed world wide for her unforgettable voice and remarkable stage presence in a richly varied repertoire that spans many of opera’s greatest heroines. During the past several seasons she has appeared at The Metropolitan Opera as Roxanne in Cyrano de Bergerac, the title roles of Tosca and Adriana Lecouvreur, Leonora in Il Trovatore, and Musetta in La Boheme; at Opernhaus Zurich as Amelia Grimaldi in Simon Boccanegra, Teatro del Liceu in Barcelona in the title role of Aida, Maggio Musicale Fiorentino, Staatsoper Berlin, Opera National de Paris, and Opera de Rouen in her signature role of Leonora in Il Trovatore, the Semperoper Dresden as both Tosca and Valentine in Les Huguenots, at the Teatro Verdi Salerno in the title role of Manon Lescaut, the National Theatre Prague as Amelia in Un Ballo in Maschera, and the Royal Opera House, Covent Garden as Musetta, among many others.
On the concert stage,Ms. Rowley has performed concert performances of Tosca with the Israel Philharmonic led by maestro Zubin Mehta. She was the soprano soloist in Beethoven's colossal Missa Solemnis with the Philadelphia Orchestra both in Philadelphia at the Kimmel Center, and New York City’s Carnegie Hall, conducted by Yannick Nézet-Séguin. She was the soprano soloist for Mahler’s Symphony No. 8, Symphony of a Thousand with maestro Fabio Luisi at the Maggio Musicale Fiorentino, was the soprano soloist with St. Cecilia Chorus and Orchestra in Verdi’s Messa da Requiem at Carnegie Hall, and Tove in Schoenberg’s Gurre-Lieder with the Orquestra Sinfônica do Estado São Paulo. An avid mentor to young artists, Ms. Rowley has created a summer young artist training program called Jennifer Rowley’s Aria Bootcamp. She holds an annual Artist in Residence position at Baldwin Wallace University Conservatory and is sought after for her seminars and masterclasses across the globe.
A winner of many international competitions, she was awarded the Richard Tucker Career Grant, was a top prize winner of the Lucia Albanese Puccini Foundation, the Gerda Lissner Foundation, the Opera Index Awards, and was a district winner of the Metropolitan Opera National Consul Awards.

Texas-based artist Jen Stephenson enjoys a multifaceted career as stage director, producer, soprano, educator, and arts administrator
As a stage director and producer, Stephenson has worked with the Baylor Opera Theatre, Chicago Summer Opera, Landlocked Opera, Opera Seme, Lawrence Opera Theatre, Music On Site, Harrower Summer Opera, Druid City Opera, The University of Alabama Opera Theatre, and Tabor College Opera, which she founded in 2015. For her work with the Baylor Opera Theatre, Stephenson's productions have collected numerous accolades from the National Opera Association, including most recently being named first place winner of the Robert Hansen Collegiate Opera Scenes Competition (2023) and first place winner in the NOA's annual production competition (2024). Recent directing credits include productions of Giulio Cesare, The Tender Land, Gianni Schicchi, Suor Angelica, La finta giardiniera, Amahl and the Night Visitors, and Hänsel and Gretel. Praised for her thoughtful characterization and impeccable comedic timing, she is currently chair of the awarding committee of the National Opera Association's JoElyn Wakefield Wright Stage Director Internship, of which she was the recipient of in 2015.
No stranger to the stage, Stephenson has performed extensively throughout North America and Europe in a wide range of opera roles, as a vocal soloist, and as a member of several professional choral ensembles. As a featured soloist, favorite concert and oratorio appearances have been with L’Orchestre et les Chanteurs de Saint Eustache of Paris, France; Nei Stëmmen of Luxembourg, Luxembourg; The Classical Music Festival of Eisenstadt, Austria; the Prentice Chorale of Tuscaloosa, Alabama; Lawrence Opera Theatre of Lawrence, Kansas; and the Westfield Festival Chorus of Westfield, Massachusetts. Additionally, she has sung professionally with Alabama’s Highland Consort, the Richard Zielinski Singers, and New England’s Novi Cantori. Stephenson has sung leading roles with Opéra du Perigord, Utah Lyric Opera, and New Century Opera. Favorite operatic performances include the roles of Elvira (Don Giovanni), Magda (The Consul), Gertrune (The Twilight of the Gods), Mother (Hansel and Gretel), Frasquita (Carmen), and Manuelita (La Périchole), among others.
Equally comfortable as a conductor, Stephenson has served as chorus-master for the Wichita Grand Opera, The University of Alabama Opera Theatre, and the University of South Florida Opera Workshop, and has conducted operas and musicals for The Actors Charitable Theatre (AL), Arts in Motion (FL), and The University of Alabama Opera Theatre. Formerly, she served as Music Director and Organist at Saint Matthias Episcopal Church in Tuscaloosa, AL, and as Director of the Celebration Choir at Chapel Hill United Methodist Church in Wichita, KS.
An avid scholar, Stephenson frequently presents clinics, masterclasses, and lectures throughout the United States. She has presented her peer-reviewed research nationally at both the Classical Singer Convention (2014) and the National Opera Association’s annual convention (2017 - 2024), and has been solicited for publication by the Opera Journal for her research on Menotti’s The Consul and Dallapiccola’s Il Prigioniero. Recently, she has presented masterclasses at Columbus State University, Emporia State University, Hesston College, University of the Ozarks, The University of Alabama, Tabor College, and Barton Community College, among others. Competitions and festivals for which Stephenson has adjudicated include the NATS State and Regional Auditions, KSHSAA regional and state solo and large ensemble competition divisions, Classical Singer online and semi-final divisions, the NOA Collegiate Opera Scenes Competition preliminary round, as well as various independent league and invitational competitions. In 2017, Stephenson’s DMA dissertation, “Luigi Dallapiccola’s Il Prigioniero and Gian-Carlo Menotti’s The Consul: A Comparative Study,” was named the winner of the prestigious National Opera Association’s biennial Dissertation Competition.
Dr. Stephenson holds degrees from The University of Massachusetts at Amherst, Westfield State University, University of South Florida, and The University of Alabama. Currently, she serves as Director of Opera Theatre and Assistant Clinical Professor of Opera at Baylor University, Artistic Director at Music On Site, Inc., Resident Stage Director with Opera Seme, and Executive Board Member of the National Opera Association. Stephenson’s primary voice teachers include Mary Brown Bonacci, Kyoung Cho, and Paul Houghtaling.

Dr. Jean Anderson is a nationally-known vocal coach and pianist. She is the principal opera coach at Boston Conservatory at Berklee, where she also coaches art song and teaches courses in operatic recitative and aria studies. She also teaches graduate art-song courses and works with collaborative pianists at Boston University. She has been active as musical advisor, pianist, and coach for the Boston Opera Collaborative, and has served as vocal coach and pianist for Canto Vocal Programs, Berklee College of Music’s Summer Opera Intensive in Valencia, Spain, University of Alaska's Summer Arts Festival in Fairbanks, Alaska, and Northern Arizona University’s summer opera program Flagstaff in Fidenza in Fidenza, Italy. She has worked with Boston Lyric Opera, the Tanglewood Music Festival, The Boston Symphony Orchestra, Opera Providence, Harvard University Summer Chorus, the Harvard-Radcliffe Chorus, Back Bay Chorale, the Orpheus Singers, Brandeis University choruses, and the Massachusetts Institute of Technology. She has been in residence at many schools of music, including Rollins College, University of Texas (Austin), University of Connecticut, and Northern Arizona University. She collaborates regularly with her husband, baritone David Small.
She maintains an active schedule as a recitalist, performing with singers in the United States and Europe. Engagements have included concerts in Boston, New York, Pittsburgh, Rome, Santo Stefano, Italy, Hartford, Connecticut, Austin, Texas, and Valencia, Spain. Her performance of Mirror with singers from the Boston Opera Collaborative was named one of the ten best Boston classical music performances of the year in Boston’s Classical Music Review. She recently recorded an album with mezzo-soprano Felicia Gavilanes, featuring song settings of the poet Gabriele D’Annunzio. She is also the author of the book The Young Classical Singer’s Toolbox.
Dr. Anderson holds a Doctor of Musical Arts from New England Conservatory. Principal teachers include Margo Garrett, Irma Vallecillo, Kayo Iwama, Kenneth Griffiths, and Hartmut Höll.
PAST SEASONS
2016
L'incoronazione di Poppea
The Consul
“A Celebration of Shakespeare” - Scenes
2017
Dialouges des Carmélites
Carmen
“Scenesational Scenes”
2018
Ballad of Baby Doe
Little Women
"...endings..." Scenes featuring opera's greatest finales!
2019
Cosi Fan Tutte
Le Nozze di Figaro
“Seasonal Scenes” - A scene for all seasons!
2023
Die Zauberflöte
Albert Herring
2024
Susannah in collaboration with the Atlanta Community Symphony Orchestra
Little Women
2018 Production of Ballad of Baby Doe
2023 Productions of Albert Herring and Die Zauberflöte
TUITION & HOUSING
Tuition & Fees
Application Fee: $25
Due at the time of applying. Application deadline is January 24,2025
Program Tuition: $1750
On Campus Housing
On campus housing will be available to participants. Pricing and housing information will be released in the spring.
Applicants acknowledge that, should they be accepted into the program, all tuition and fees must be paid in full by April 12, 2025. Participants who are not paid in full by April 12, will have their slot and housing canceled. For participant cancellations made after April 12, 2025, the full tuition and housing fee is incurred.
All fees are non-refundable.
On Campus Housing
Accepted participants will have the option to stay on campus for the duration of the program. Participants of Harrower Summer Opera who choose on-campus housing will be housed in Georgia State University's dorms.
Check-in: Friday, May 23
Check-out: Monday, June 16
Housing prices will be announced Spring 2025. Housing must be paid in full at the time of registering.
Housing for the 3 week program includes:
APPLICATION & AUDITION REQUIREMENTS
Application Requirements
Professional Headshot
If you don't have a professional headshot, please submit a photo suitable for publishing.
Performance Resume
Links to Recordings of Repertoire, based on your selected track of study
See below Recording & Repertoire Selections for requirements
PantherCard ID Compliant Photo
$25 Non-refundable Application Fee
Applicants should be prepared to fill out the application in its entirety once the application is started. The above list of requirements will be uploaded during the application.
All auditions will be heard through the online application. There will be no live auditions.
All participants must be 18 or older on or before the start of the program.
Deadlines
Application Closes
January 25, 2025
Acceptance Offers Sent
February 28, 2025
Participant Acceptance Deadline
March 7, 2024
*$250 non-refundable deposit due at the time of acceptance
Housing Request & Payment Deadline
April 11, 2025
Participant Tuition Due
April 11, 2025
Recording & Repertoire Selections
Vocal Participant Repertoire
Participants should have recordings of 2 performances. The recordings should be available online (YouTube, Dropbox, etc). Links to the recordings will be entered on the application.
Performance recordings are the participant's choice. Arias or art songs are preferred. Aria selections do not need to be from the repertoire of the current year, although they can be.
Collaborative Pianist Intern Repertoire
Participants interested in a Collaborative Pianist internship should have an interest and experience in collaborative piano performance. Participants selected as a collaborative pianist will have their tuition waived, but will be responsible for their own housing.
Collaborative Pianist applicants will be asked to submit the following repertoire selections for the video audition:
- A short, solo piano piece
- "Ein Mädchen oder Weibchen" from Die Zauberflöte without a singer
- "Si, mi chiamano Mimi" from La Boheme without a singer
- Act 2 finale from Nozze di Figaro without singer
PantherCard ID Photo Requirements
All accepted participants will be issued a Georgia State University Panther ID Card upon arrival, printed with your identification photo. The PantherCard issued is your key to most buildings on campus during your time at Georgia State. The photo should be "drivers license" style and must adhere to the following Georgia State University PantherCard photo requirements:
Solid Background
Photo must be taken in front of a solid white or light blue background.
Centered, Full-Face View
The photo must be centered with a full-face view, directly facing the camera. Photo should be from the shoulders up. The top of the head should not be cut off.
No Headphones
Headphones, wireless hands-free devices, or similar items are not acceptable in your photo.
No Head Coverings
There should be no hat or head covering unless worn daily for a religious purpose or for medical reasons supported by medical certification. Your full face must be visible with no shadows over the face.
No Masks
There should be no masks obscuring the face, even if worn daily or for medical purposes. Your full face must be visible.
No Obscuring Jewelry
Any jewelry worn should not obscure the face.
Unaccepted: Current Drivers License or College IDs
Photos of a current drivers license or college ID will not be accepted. A clean photo must be submitted.
Glasses & Hearing Devices
If you normally wear prescription glasses, a hearing device, or similar articles, they may be worn for your photo (make sure to avoid glare if wearing prescription glasses).
Dark glasses or non-prescription glasses with tinted lenses are not acceptable unless you need them for medical reasons (a medical certificate may be required).
Photos that do not meet the above criteria will not be accepted. Participants will be asked to resubmit photos until an acceptable photo is received, which may result in delays receiving your Panther ID Card.
APPLICATION SUBMISSIONS
2025 Harrower Summer Opera Applications are closed. Please contact the Office of Educational Outreach for any questions.
PETER AND IRENE HARROWER


Founded in 1980, Harrower Summer Opera (HSO) brings young singers, directors, and faculty from across the United States to Georgia State University to learn and practice their craft. Beginning as a series of seminars and workshops, Harrower Summer Opera has grown into a nationally competitive program for aspiring singers and directors. Peter and Irene Harrower, two internationally acclaimed opera singers, began the program underscoring the need for highly qualified, professional staff to instruct young singers specifically in the art of performing opera. They noted a lack of opportunity for opera in the southeast. In the words of Mr. Harrower, “there is no chance for young people to participate in opera, only to hear it. The stage is the greatest teacher.” They combined their private voice studios with the Georgia State University curriculum and facilities in order to create a program that taught operatic singing, acting for the lyric stage, characterization, body movement, preparation of roles, stagecraft, and diction.
In 1991 W. Dwight Coleman was named the Executive/Artistic Director of the HSOW. As Executive/Artistic Director he began a tradition of presenting one-act American operas with a composer-in-residence that continued throughout the next sixteen years. Mr. Coleman and Irene Harrower worked closely together to build the program after Peter Harrower’s death in 1988. In 2009, Carroll Freeman was named Artistic Director and served as the stage director. The following year Mr. Freeman was named Classical Singer magazine’s “Stage Director of the Year, 2010.” Over the next decade, with Mr. Coleman as E.D. and Mr. Freeman as A.D., Harrower began producing two fully staged operas with a renowned operatic performer as an artist-in-residence. In 2022, after Mr. Coleman and Mr. Freeman retired, Harrower named Dr. Jonathan Hudson Artistic Director and Amy Reid Executive Director, committing to continue the Harrower legacy.
Thirty-eight seasons later the program has taught thousands of young musicians and continues to grow. HSO has received two invitations to perform at the National Opera Association Convention (1993 and 2008) for its productions of Test Tube and Bluebeard’s Waiting Room, both by Milton Granger. Artists-in-Residence have included world-renowned faculty such as Sherrill Milnes, Frederica von Stade, Angela Brown, George Shirley, and Ron Raines. Participants have gone on to sing with the Metropolitan Opera, San Francisco Opera, Atlanta Opera, Tanglewood Musical Festival, Minnesota Opera, Brevard Music Festival, and Sarasota Opera, among others.
Since the Workshop’s inception, individual contributions and grants from the Atlanta Music Festival Association, Fulton County Arts Council, Lanie & Ethel Foundation, Atlanta Opera Guild, and Atlanta Music Club have totaled more than $500,000. Additionally, the Goldovsky Foundation has endorsed the Harrower Summer Opera Workshop by funding internships in stage directing, one of only two programs in the U.S. to receive this honor.
Peter and Irene’s vision for a comprehensive and professional quality young artist training program was remarkable for its time, leading to one of the longest running summer opera programs in the country. The Workshop is an Atlanta music staple and a testament to the quality of opera training being taught at Georgia State University’s School of Music. Harrower Summer Opera continues to uphold its history of providing the highest caliber of training to young artists on their way to becoming opera professionals.
Irene Harrower

Irene Callaway Harrower was recognized throughout the world as a musician of the highest caliber. Born in Murfreesboro, Arkansas on January 10, 1929 to Cora Ada and Wallis Callaway, she was one of four siblings. Irene’s passion for singing grew out of her commitment to the Methodist church. Always a quick learner and advanced student, Irene entered college at the age of sixteen where she attended both Lon Morris Jr. College and then Henderson State University studying music. In support of her career, church members raised money to send her to summers at the Berkshire Music Center (now the Tanglewood Institute) in Lenox, MA and subsequently on to New York City.
After living in NYC for a few years auditioning and working as a typist, Irene won the distinguished Fulbright Scholar award. In 1954 she traveled to Rome, Italy where she performed with the Teatro dell’Opera, the Orchestra of Santa Cecilia of Rome, the Orchestras of Radio-Television Italy, the Vienna Volksoper, the Festival d’Aix-en-Provence, France, and many other companies across Europe. It was in Rome that she met the love of her life bass-baritone Peter Harrower, fellow Fulbright Scholar. They married in Rome, Italy in 1957 and returned to Peter’s hometown of Atlanta several years later. Irene continued to have a vibrant career in America singing with the Lyric Opera of Chicago, the Atlanta Symphony, and other major opera companies.
After years of traveling and touring, Irene decided to dedicate the rest of her career to teaching. She began by building a vibrant vocal studio for professional singers in the Atlanta area. Throughout her career Irene was not only devoted to music, but also an avid lover of languages. She was fluent in Italian and French and studied German and Spanish voraciously. This love led her to create an internationally touring master class on diction for singing titled “Distinctly Diction.” She was adamant about telling students if you cannot speak the language you cannot sing it. She loved listening to young singers and adjudicated for local and national competitions such as Merola Opera Program and the Metropolitan Opera Competition. A dedicated Christian in the Episcopal church, she often volunteered her time and her talents to further the efforts of the church. She spent her free time gardening, volunteering, and giving back to the community in as many ways as she could.
In order to further expand her and her husband’s students’ knowledge of stagecraft, they decided to create Harrower Summer Opera at Georgia State University. When her husband passed away, she took on his vocal studio at Georgia State University and also stepped into the position of General Director/Artistic Administrator for the School of Music. She enjoyed teaching students at this program until her retirement in 2007.
Peter Harrower

Atlanta native Peter Harrower was a highly respected operatic bass-baritone. Born on July 6, 1923 to Margaret and Pierce Harrower, he was surrounded by music from the time he was born. His father was a professional singer who often performed at Radio City Music Hall, and his mother was a fine pianist and accompanist. His grandfather made and played violins. Despite having a talent for singing he decided to attend Georgia Institute of Technology to obtain a degree in civil engineering. When WWII began he served in the Air Force as a bombardier, and subsequently served in the Korean War.
He won a Fulbright Scholar award in 1956 and had three triumphant years singing with the Teatro dell'Opera in Rome, the Vienna Volksoper, the Orchestra of Santa Cecilia, and the orchestras of Radio-Television Italy. It was there that he met and married Irene Calaway, American lyric soprano also in Europe on a Fulbright scholarship. They returned to the States and continued to have phenomenal careers. Peter performed regularly with the Lyric Opera of Chicago and traveled all over the States to sing with professional companies. In 1960 he became a professor of music at Georgia State University and taught there for 28 years. He taught Italian, opera history, concert repertoire, private lessons, and directed the operas. Additionally, he created the graduate vocal performance tract for the GSU School of Music. He loved gardening, hunting, fishing, sailing, and watercoloring. He was dedicated to the Episcopal church, designed logos for music events, built the opera sets, volunteered at the soup kitchen, and even sang the national anthem for the Atlanta Falcon games. He spent every second of his free time helping and mentoring others.
Towards the end of his life, he and his wife created Harrower Summer Opera. They designed it specifically for their students in order to give them more opportunities to sing and perform opera at a high level. After his passing in 1988, his wife continued to develop the HSO into the nationally competitive program that it is today.
Harrower Summer Opera Alumna

Contact Us
Office/Delivery Address
35 Broad Street, Suite 410
Atlanta, GA 30303
Mailing Address
P.O. Box 3984
Atlanta, GA 30302
Office Hours
8:30 a.m. - 5:15 p.m.
Director of Educational Outreach
Amy Reid